The topic of the Writing Workshop has always intrigued me in a deep way, so much so that for my graduating lecture at Vermont College of Fine Arts I prepared and solicited an in-depth survey to my MFA colleagues, which I then compiled the results into a lecture titled “Engaged, Thoughtful, Creative, and Weird: An Examination of the Writing Workshop.”
Here, my friend and MFA colleague, Jenna McGuiggan, who graduated a semester ahead of me and thus wasn’t in attendance for my lecture, shares her brilliant workshop guide covering some of the same topics I addressed in my lecture. Jenna’s guide is geared towards the creative nonfiction workshop, and I highly recommend her sage advice on the topic of staying grounded in critiquing the craft of the writing and not veering off into unhelpful territory.
It’s easy to read a memoir or essay and feel as though we know the author, even though all we really know is what the writer shared with us on the page. This false sense of familiarity is one thing when we read published work by authors we may never meet. But in a creative nonfiction workshop, this faux intimacy becomes a slippery slope.
We all know that writing workshop can be an emotionally charged environment to begin with. Add in stories of personal trauma, and you’ve got a veritable Slip‘N Slide of intense moments and awkward interactions just waiting for you to lose your footing.
How can you keep your balance and avoid any more uncomfortable moments than necessary?
Make this your mantra:
Writing workshop is not group therapy.
(Say it with me.)
(And if it helps, you can sing it to the…
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